Treat the walls of your living space with some fascinating tribal art in the form of Hanging Bell with Bird. It will be a bright addition to your home as this Dhokra creation is handcrafted out of premium Bell metal that gives it an antique look and feel. Make it hang at the entrance, hallway, indoors or outdoors for an exotic appeal of your home. This exotic work of art can be used to decorate temples and small worship areas within the home as well.
The Hanging Bell with Bird is an extraordinary design. It features a unique pattern that is hard to find elsewhere. The artwork offers an eye-catching with artistic beauty and aesthetics. Though it is simple, this brassware is all the more exclusive and a chic addition to any kind of surroundings. Its metal is non-ferrous so you need not worry about it catching rust or being worn out.
Hanging Bell with Bird is a superb home decor accessory when it comes to fine metal craft. You can also gift it to your friends, colleagues or relatives on special occasions and make their celebrations more memorable!
About Dhokra Art
Dhokra is one of the oldest forms of the art of non-ferrous metal casting. It is the tribes of Gadwas, Dhurwas and Gonds that still practise the 4000-year old art, following the lost wax casting techniques.
The metal workers make a living by handcrafting, moulding and casting alloy of brass, nickel and copper or the Dhokra, as it is regionally called. The art originates from the central and eastern Indian states including Madhya Pradesh, Bihar, Orissa and Jharkhand along with West Bengal, where the art originally belongs to.
The tribal group of the metal workers initially travelled from the remote interiors of West Bengal to down south, as far as Kerala and right up to the western state of Rajasthan as well.
Procedure
As the word Dhokra also describes a certain sect of the tribes who perform the art of metal casting using the lost wax techniques of solid casting and hollow casting, which initially involves treating the coarse clay mould to high temperatures in an oven or by drying in the sun. The beeswax is drawn into stripes and fine wires in order to wrap them around the heated clay in order to produce a similar, though softer mould.
The beeswax is mixed with resinous gum and then boiled in mustard oil. The model is then evenly coated with a very thin layer of wet clay, the stage that lets fine details of the replica to make an impression on the clay.Before the clay is added to the molten metal, the clay is either heated or sundried and the mould is carefully heated to high degree centigrade until the wax melts in the process leaving a cavity behind.
The hollow cavity is then filled with a molten metal and set aside to cool off. Finally, the clay mould is broken and the object is taken out for the purpose of cleaning and polishing.Before providing final touches to the brassware, the Dhokra artists chisel and polish the artefact using herbal colours......
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